Raconteur Theatre Company

In our short existence as a company, we have come upon and overcome many obstacles already.  Why should today be any different?

We are nearing the opening of our production of Ibsen’s Ghosts and at the same time we are preparing to start the production process for our next show (Mom and Pop by local playwright Sarah Tobin).  This is our first experience with overlapping production calendars, and it presents some new…er…learning opportunities.  Although we are continuing to slowly grow our company by bringing in more new and terrific people (we have really great people on board for Ghosts!), there is still a lot for the core founding company members to handle.  So, at a time when we are all maxed out with preparations for this production, we need to be focusing a lot of energy on the next one right now!  For example, we have auditions for Mom and Pop on the Sunday and Monday of tech week for Ghosts, and the Monday immediately following the tear-down of Ghosts will be the first rehearsal of Mom and Pop.  It’s truly non-stop.  On top of that, we are all, of course, working full time outside of the theatre.

This is my cue to get overwhelmed.

So, I tell myself to breathe.  I tell myself that all this work is worth it.  I tell myself that the passion I have for theatre has its outlet here– in a place I can call my own, and in a place I can be surrounded by other hard-working theatre lovers.

We can do this.

Jill

I spent a good part of the summer worrying about casting Henrik Ibsen’s Ghosts. It features one of the greatest roles written for a woman, Mrs. Helen Alving.  By “greatest” I mean challenging, complex, on stage almost the entire show and responsible for the play’s success.  Who would be capable, available and interested in acting this role - or any of the others in the play for that matter - for a brand new theatre company that offers minuscule monetary compensation and a short track record of success?

Not knowing what else I could do, I decided to place my faith in God, the Universe or perhaps Dionysus himself to take care of that which was beyond my control.  I focused on my part: reading the script, researching Ibsen, and sending emails to every actor I know to invite them to audition.  I am grateful to say that tactic worked.  I now have a dream cast in whom I have complete confidence to bring Ghosts to life.

The cast of Raconteur Theatre’s production of Henrik Ibsen’s Ghosts translated by Lanford Wilson is:

• Regina: Sarah Willis
• Engstrand: Richard Wilson
• Mrs. Helen Alving: Carolyn Harding
• Reverend Manders:Stephen Woosley
• Oswald: Brennan Hunter

Just a quick shout to those of you who are reading this who weren’t currently aware - but we’re getting ready to cast our next show.

We’re putting up Henrik Ibsen’s Ghosts, translation done by Lanford Wilson, directed by none other than our own Tricia Jones.

(She directed the Roulette half of After the Afterglow, ya know.)

Now, if you’re reading this blog, I know you want to be a part of this production. So, you’re probably saying “Tell me the details.”

Gladly!

Auditions are Sunday, August 3 from 3-5 and Monday, August 4 from 7-9 at the Main Library’s auditorium. (96 S. Grant Avenue)
The show dates are from October 2-18, Thursdays through Saturdays at 8:00 p.m., with Sunday matinees at 2:00 p.m. the first two weeks of the run.

You want to know more? Of course you do! And fortunately, you can find out more at our website.

Now, we want to see all of you there with bells on. (Bells optional).
-Aaron

Auditions are complete and the auditionees will be contacted today with the results.  It was exciting to have the milestone of our first auditions, but for me it was a strange experience. 
Along with the others who came, I auditioned for the show.  It put me in a strange spot of being on the board for the company but desiring equal footing with the others auditioning.  I would have been disappointed not to get a part, but I certainly didn’t want a part just because I’m an integral part of the company.  I wanted a part because I deserved one as an actor. 

And what a difficult place for the directors who are both my friends and fellow board members!  Would I be mad at them if they didn’t cast me? No. But would they feel as though I was? Perhaps.  And I will likely be in their shoes for another show where I am directing and a board member is auditioning. 

We didn’t create this company so that the board members could take whatever parts or direct whatever shows they personally wanted to have.  In fact, we have a board rule to the contrary.  No board member can act in more than 2 of our 4 shows every season- or direct, or write, et cetera.  In theory, this allows for many people to participate in a variety of ways without the theatre company becoming incestuous.  It is in our mission to be inclusive to the Columbus arts community, and this rule helps us stay true to that.

So all that said, I’m excited to be performing in our premiere show and excited to know that it wasn’t just given to me for being Jill (right guys?)… Okay, right.
 
Looking forward to performing for you,

Jill

Piece by piece everything is coming together. Recent tasks completed by the board:

Letters out to area theatres introducing ourselves and reaching out for mutual support of our collective endeavors. (Thank you John Kuhn from Actor’s Theatre and Alan Saunders from Center Stage Players for your supportive responses!)

Press Kits out to major publications.

Audition notices out in various ways (coming up this weekend!).

Lots of chatting and gaining insight from folks at Madlab. Looking forward to an ongoing relationship with you all!

Just today we received approval for fiscal sponsorship through Fractured Atlas.

Looking into having a presence at Comfest in June.

The real website created by Litter Design is almost ready to have a partial release. I’ve been working closely with Chris Browning and am so excited to get this up and running soon!

Letters to friends and families coming out soon.

So things are getting done, but we have so much more to do! We’re still getting artwork for the Flex Series, still finalizing the rest of the season, et cetera. We have had a few production meetings to get Flex Series underway and are getting the creative juices flowing!

Feeling the mounting excitement,

Jill