Raconteur Theatre Company

“The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.” - Viola Spolin

Ghosts closes tomorrow night and I find myself thinking back through the process of how we got here. As Marketing Rep I was concerned with getting people to the show. It is easy for devout theatre-lovers to forget that although every theatre student knows the role Ibsen has played in shaping theatre over the past century, often audiences may not even recognize his name. This is frustrating and surprising given the fact that he is the second most performed playwright in the world.

So as the days grow cold and dark, we found ourselves in the perpetual gamble of theatre companies everywhere. We made our calls, sent our emails, hung our posters and even tromped around in the streets at a couple local events to raise awareness. But it came down to this: every night at half past seven, we opened our doors, crossed our fingers and hoped.

Now, on the eve of our penultimate performance of Ghosts, I would like to extend my thanks. Thank you for venturing out in sunshine and in rain, on nights when you had to get up early the next day, and in the middle of sunny Sunday afternoons. Thank you for taking a chance on us. Thank you for spending your money in a time when cash is tight and for coming to a show which is challenging and unnerving during the tension of an elevated presidential election season. Thank you for sharing your kind words, your thoughts and insights with each of us every night. But mostly, simply, thank you. You are the reason we are here.

Thanks!
Molly St.Cyr-Reid

This week, while watching a rehearsal for Ghosts it struck me what a difference a translation can make. I first read Ghosts in college and was embarrassed to admit I didn’t understand it at all. The dialogue (and therefore the plot) was confusing to me. I found a strong dislike for the characters.

Lanford Wilson’s translation of Ghosts is true to the original intent, but it is more conversational. All of those outdated references and themes I found so confusing are made relevant. Although, I was already very familiar with the story I found I was being drawn into the character’s lives in a new way.

It seems for Ghosts, Lanford Wilson’s translation has provided much-needed insights which invite empathy. The same characters I found so distasteful before became pitiable and human. These are people we all understand. So often we see remakes (of any type) as second-rate, rarely can you say that a new version of an older classic is a worthwhile. This is a powerful script, which pays great tribute to Ibsen.

-Molly

I spent a good part of the summer worrying about casting Henrik Ibsen’s Ghosts. It features one of the greatest roles written for a woman, Mrs. Helen Alving.  By “greatest” I mean challenging, complex, on stage almost the entire show and responsible for the play’s success.  Who would be capable, available and interested in acting this role - or any of the others in the play for that matter - for a brand new theatre company that offers minuscule monetary compensation and a short track record of success?

Not knowing what else I could do, I decided to place my faith in God, the Universe or perhaps Dionysus himself to take care of that which was beyond my control.  I focused on my part: reading the script, researching Ibsen, and sending emails to every actor I know to invite them to audition.  I am grateful to say that tactic worked.  I now have a dream cast in whom I have complete confidence to bring Ghosts to life.

The cast of Raconteur Theatre’s production of Henrik Ibsen’s Ghosts translated by Lanford Wilson is:

• Regina: Sarah Willis
• Engstrand: Richard Wilson
• Mrs. Helen Alving: Carolyn Harding
• Reverend Manders:Stephen Woosley
• Oswald: Brennan Hunter

For Raconteur Theatre’s debut production After the Afterglow, we relied upon Board Members and personal friends to design the set, lights, costumes and sound. Each of the designers brought experience, creativity and expertise to the table and our final product was great. Not all of those designers were available for our second production so we have had to widen our circle of participants. Luckily two new designers have teamed up with the Raconteur production team for Ghosts and my experience with them has been nothing but positive.

I was delighted when Scenic Designer Richard May sent me photos of a “white model” a couple days after joining the Ghosts design team. This 3D scaled model gave me a clear picture of his concept so we could have a detailed discussion about what would work and what would need to change.

I was equally pleased and impressed during my first meeting with Costume Designer Jaylene Henderson. Instead of just asking what I wanted, she presented me a colorful array of sketches, fabric swatches and printouts of period costumes. We discussed details of fabric colors, dress lines and shoes. I came away from the meeting excited about the beautiful costumes I could actually envision. Then, after just a week, Jaylene sent me photos of the skirt she had already started sewing!

It feels greatto have designs before we’ve even started rehearsals. Richard and Jaylene are raising the bar of our design standards, setting a wonderful example for the rest of us. This is how we should be designing shows. Drawings, renderings, models, fabric swatches - visual representations of any kind are essential to a successful design process!

-Tricia Jones
Director, Ghosts
Running October 9 - 25, 2008 in Columbus, OH. Details at http://raconteurtheatre.com

Just a quick shout to those of you who are reading this who weren’t currently aware - but we’re getting ready to cast our next show.

We’re putting up Henrik Ibsen’s Ghosts, translation done by Lanford Wilson, directed by none other than our own Tricia Jones.

(She directed the Roulette half of After the Afterglow, ya know.)

Now, if you’re reading this blog, I know you want to be a part of this production. So, you’re probably saying “Tell me the details.”

Gladly!

Auditions are Sunday, August 3 from 3-5 and Monday, August 4 from 7-9 at the Main Library’s auditorium. (96 S. Grant Avenue)
The show dates are from October 2-18, Thursdays through Saturdays at 8:00 p.m., with Sunday matinees at 2:00 p.m. the first two weeks of the run.

You want to know more? Of course you do! And fortunately, you can find out more at our website.

Now, we want to see all of you there with bells on. (Bells optional).
-Aaron