Raconteur Theatre Company

Our next show, Ghosts, deals with long held secrets, family legacies, and how people either accept or try to change the circumstances of their life. It also happens that the opening weekend of Ghosts coincides with the Columbus Walk For Autism, which is put on by Autism Speaks.

Raconteur Theatre has dedicated itself to being not just a “community theatre” but being a theatre that is part of the community. To this end, we are going to try to assist Autism Speaks in their mission. At all performances of Ghosts, we will have a donation jar at the box office and concession stand, with 100% of all donations going to Autism Speaks. Additionally, you can make a donation to Autism Speaks through the following donation site. (It doesn’t matter which name you click to make the donation through.)

This marks only the first step in Raconteur’s giving back to the community. All future productions will have a tip jar available, with the proceeds going to charity. The charity will be determined by the Board of Directors on a per-show basis, but we will make every effort to keep our audiences well-informed.

Excited to be able to give back to the community,
Aaron

(In the interests of full disclosure, we have a personal stake in this charity. One of my children has autism, which is what drew me to this particular charity.)

I must admit on the eve of the 1^st Rehearsal, I’m really looking forward to moving into production. It’s been a long few weeks leading up to this. We had such a short amount of time after the Flex Series ended and our projected Audition Date, that we had much to do and little time to do it. We’ve been through a series of mishaps: pushing back of the production calendar, loss of one and then two of the actors originally cast, and even a change in performance dates.

Somehow, as is always the case, it all works out. It’s been a real experience for me, as Raconteur has never had a Producer in the past. During the Flex Series, the entire Board of Directors co-produced the production. After the show, we realized that there really needed to be one person that everyone could go to if there were any problems.

It’s been a fun transition for me coming from stage managing to a position where I still get to experience the overall view of the production and organize various parts of the process but without the daily commitment of rehearsals. At the same time, it’s a position we’re definitely still figuring out. My duties started out pretty basic and continue to grow as we move forward. Originally, I was only responsible for the production calendar, following up on deadlines and dealing with any difficulties that could arise from the process. Since the original discussion, I have also taken on production team/actor/copyright/rental contracts and the hiring of individuals to the production. It’s such a cool thing to see everyone come together from their various backgrounds and talents, and I can’t wait to meet the cast that’s going to bring Ghosts to life.

Excited for the future,
Suellen Kasiara
Producer, Ghosts

I’ve never been a huge fan of Comfest. I don’t like mud, random naked people, random naked people covered in mud (or painted!) so this should come as a shock. Given this I had mixed feelings when I was told we would be performing Aster, Holger Gunn at Comfest but I convinced myself it would be fun.

But here’s the thing – it was fun! Sure, the lapel microphones we were supposed to be wearing to combat the ambient noise didn’t work out, leaving us screaming the show into stand microphones. Sure, the stage was awkward with the microphones placed willy nilly. Sure, I was so disgustingly hot and sweaty that I was grossed out that poor Andrew (Holger) had to kiss me…

But in spite of these things I could scarcely had enjoyed myself more. The outdoor atmosphere, the screaming, the staging, the different audience all changed the show in ways I couldn’t have imagined. This was not the Aster, Holger Gun I had come to know and love, no this was a different story entirely and yet also not.

So it turns out I don’t hate Comfest at all.

This was one of the many thoughts running through my head the first time I read Justin Toomey’s Aster, Holger Gunn after being cast as Aster. Little did I know I was headed for a turbulent process involving a change in actors leaving us less time than originally planned for rehearsals. By the time we got around to rehearsing that kiss, it had become bigger than necessary and as someone who hadn’t been on-stage recently I was nervous.

I should have known better. I should have realized that this was a very natural and realistic emotion given the scene at hand. What I did know what that I needed to just get it over with. And what I came to realize is that both that kiss and the last kiss are such pivotal moments in the story that they were truly enjoyable.

Things I Learned During After the Afterglow:
* Sam Blythe (Duck from Aster, Holger Gunn) is the biggest goofball ever.
* Kafe Kerouac has delicious coffee.
* If you park illegally on North Campus they will tow your car astonishingly quickly!
* RTC is perhaps the nicest group of people ever (who else would bring you a birthday cake to tech week?)
* I am very hard on myself.
* It is unenjoyable to wait in the rain for intermission when there is no backstage available!
* There was a strange man across the alley. Every night he showered while the cast of Aster, Holger Gunn ran lines, he either never noticed us or didn’t care that we could see him.
* A smile on-stage can change the entire show.
* Operation and Apples to Apples are the best games in known existence.
* Sometimes a mid-performance line flub can be a confidence booster.
* Huzzah is not as annoying of a word as I originally thought.
-Molly

Just a quick shout to those of you who are reading this who weren’t currently aware - but we’re getting ready to cast our next show.

We’re putting up Henrik Ibsen’s Ghosts, translation done by Lanford Wilson, directed by none other than our own Tricia Jones.

(She directed the Roulette half of After the Afterglow, ya know.)

Now, if you’re reading this blog, I know you want to be a part of this production. So, you’re probably saying “Tell me the details.”

Gladly!

Auditions are Sunday, August 3 from 3-5 and Monday, August 4 from 7-9 at the Main Library’s auditorium. (96 S. Grant Avenue)
The show dates are from October 2-18, Thursdays through Saturdays at 8:00 p.m., with Sunday matinees at 2:00 p.m. the first two weeks of the run.

You want to know more? Of course you do! And fortunately, you can find out more at our website.

Now, we want to see all of you there with bells on. (Bells optional).
-Aaron