Raconteur Theatre Company

It’s amazing to see something emerge from what was previously nothing. I still remember my amazement during our first rehearsal for Roulette. We were in Jill & Andrew’s living room (generously made available to us for the duration of the rehearsal process) but instead of “just talking” about starting a theatre company, we were audaciously being a theatre company. Actors stood with scripts in hand, our stage manager sat ready to take notes and I was giving direction. We were all diving in with complete faith that our efforts in this improvised rehearsal space would evolve into a finished piece of theatre that would be worthy of an audience, legitimate enough to charge for tickets and meaningful enough to truly speak to people.

It’s true that nothing comes from nothing. In this case, Raconteur Theatre and its debut production came from the sustained outpouring of heart, soul and really hard work. I was exhausted by directing, co-producing, marketing, selling ads, writing to donors, telephoning theatre critics and doing a million other things required to start a theatre company. But it was worth it. I was SO PROUD of After the Afterglow. I felt like we lived up to our vision of producing the best show possible. My feelings were confirmed by the countless positive comments I received from friends, family and strangers who came to see the show.

Check out this from The Other Paper and our other review at  Ohio News Network. And come out for the show- this is the FINAL WEEKEND!

~Jill

“Two short plays about love on its last legs”
BY RICHARD ADES
The Other Paper, June 5, 2008

If it weren’t for the buzz of conversation filtering in from the next room, you might think you were back at 2Co’s Cabaret.

The Raconteur Theatre Company is making its debut with a double bill that includes Douglas Hill’s Roulette, the kind of relationship play that often kept viewers entertained at the now-defunct cabaret. Adding to the illusion is the presence of J.T. Walker, a ponytailed actor who was sometimes seen at the Short North venue.

Walker plays Matt, a Tucson resident who has been no more successful at marriage than he has been at finding a career.  When wife Janine (Jill Ceneskie) pushes his buttons once too often, he decides to hit the road for Las Vegas.

Only one problem: Matt doesn’t have enough money to get there. After some arguing, Janine decides to take him, if only to get him out her life once and for all.  

So the two drive off, which is when things start to get weird. Matt begins finding wads of dollar bills in his formerly empty wallet, while their junky car seems to sip gas at a rate that would make a Prius jealous. These and other unexplained occurrences make Janine suspect the universe is trying to tell them something,  but Matt, for reasons he keeps to himself, is in no mood to listen.

Working under Tricia T. Jones’s skilled direction, Walker isn’t bad as a man who has trouble expressing himself, though his craft was sometimes too obvious on opening night. Ceneskie is more natural as Janine, a woman whose attitude toward her difficult husband can change from anger to protectiveness to affection within a span of seconds.
Marital tug of war: Jill Ceneskie and J.T. Walker in the Raconteur Theatre Company’s production of Roulette.  Photo by Sam Blythe
The same can’t be said for the other play on the After the Afterglow double bill, Justin Toomey’s Aster, Holger Gunn. An original work by a Raconteur board member, the one-act begins promisingly enough but eventually falls apart.  

Like Roulette, Aster looks at romance past its prime. It’s a credit to Toomey’s dialogue- writing skill that the play initially captures viewers’ interest despite relying on that most self-conscious of gimmicks author who has a conversation with his own characters.

Andrew Cronacher is good as the writer who tries to come to terms with a failed romance by creating a stand-in for his former lover. Molly St. Cyr is nearly as good as the vaguely mocking stand-in, except that her soft voice is sometimes hard to hear above the scraps of conversation drifting over from the other side of the host coffeehouse.

Though a mixture of psychology and philosophy makes the pair’s early conversation interesting, Toomey then commits the error I of introducing a third character (Sam Blythe) who seems totally superfluous. The play goes downhill from there.

The work’s saving grace is that it doesn’t take long to see it-if you decide to see it at all. One nice thing about Raconteur’s freshman effort is that it doesn’t force viewers to attend both halves of the double bill. Pay $5 (rather than $8) and you can leave early after seeing Roulette - or arrive late and see only the briefly interesting Aster.

Either way, you get the chance to sample Columbus’s newest theater company for a minimal outlay of time and money. If you’re like me, the experience will leave you eager to spend more time with the group in the coming months.
The Raconteur Theatre Company will present the After the Afterglow double bill through June 14 at Kafe Kerouac, 2250 N. High St.  Roulette will be presented at 8 p.m. Thursday-Saturday; Aster, Holger Gunn, at 9:15 p.m. Thursday-Saturday. Running time: 2 hours, 10 minutes (both plays, plus intermission). Tickets are $5 for one play, $8 for both.  614-804-1695 or http://raconteurthetre.com

Well, the hits just keep on coming. Check out the latest trailer for After the Afterglow, this time featuring scenes from Roulette!

To watch the trailer click here.

We open in less than a week!

No, not the kind you attach to the back of a truck. Or the kind that bigger stars get to retreat to when they’re pissed. More like the ones you sit and watch while waiting for your movie to start.

Well, we’ve got ‘em.

Check out the first trailer for Aster, Holger Gunn!

Check back next week for the trailer for Roulette!

-Aaron

Raconteur’s After the Afterglow Makes it Easy to See a Show!

Columbus’s new Raconteur Theatre Company theorizes that one reason people don’t go out to see local theatre is because of its total inflexibility! That’s why they are premiering with After the Afterglow, a show in a flexible format.

After the Afterglow allows patrons to choose from viewing one of two one-acts or enjoying both for a discounted price. Board member Jill C. Hartley explains, “In an increasingly hectic world, this gives our patrons options. If they’re booked until 8 o’clock, no biggie- they can catch the second piece. We want people to see theatre as a real option for their weekend.”

After the Afterglow consists of Roulette by Douglas Hill and Aster, Holger Gunn by Columbus’s own Justin Toomey. Roulette follows Janine (Jill Ceneskie) and Matt (JT Walker) as they decide to divorce after four years of a painful marriage. But when the couple embarks on a final road trip to drop off Matt in Las Vegas, they start to question their decision as strange, inexplicable things start happening. In Aster, Holger Gunn, Holger (Andrew Cronacher) is unable to let go of his love for Aster (Molly St. Cyr), and turns to writing a dialogue between the two of them in the hopes of working through his attachment to an obviously dead relationship. Despite having complete control over every move Aster makes and every word she says, Holger cannot change the ultimate destiny of their relationship.

After the Afterglow runs May 29-June 14 at Kafe Karouac (2250 N. High St., Columbus). Shows are Thursdays-Saturdays at 8 & 9:15pm and Sundays at 2 & 3:15pm. Roulette will start at 8pm Thursdays through Saturdays and 2 pm Sundays. Aster, Holger Gunn is at 9:15pm Thursdays through Saturdays and 3:15pm Sundays. Tickets are $5 for a single one-act or $8 for both. Local singer songwriter Andy Ceneskie will provide music before each one act and Kafe Kerouac will sell beverages and snacks from their menu.

For additional information visit www.raconteurtheatre.com/currentshow.html.